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“I
fear thee, Ancient Mariner,” could be another title for Russell Crowe’s (A
Beautiful Mind) newest movie. Since there is only so much action that can
take place on the open sea in an old wooden ship before it does sink, the story
adopts many aspects of Coolridge’s epic poem, Rime
of the Ancient Mariner, as well as details from the Patrick
O'Brian novels. In between the fighting sequences, many concepts of this
poem were developed into the storyline, including an albatross, a phantom ship,
a curse and being adrift at sea with no wind or wave. What are noticeably
missing from this film were women and any semblance of a love story to
intertwine itself into the plot or distract you from the battle. This is not
typical Hollywood. Normally they would sneak a female stowaway, prisoner, or
rescued female to toss into the mix for some sexual tension. The most sexual
tension you can expect in Master and Commander was a South American beauty
making eye contact with Crowe’s character Capt. Jack Aubrey or Lucky Jack when
they were restocking provisions. The remaining two hours and eight minutes is
all men on a boat. The
period is 1806 and the Napoleonic wars are the backdrop. The movie begins
quickly when the night guard thinks he spots a ship in the fog, and before the
British ship HMS Surprise can fire a shot, they are attacked. The fog and wind
shift and the ship was gone. Capt. Jack not used to losing was baffled that none
of their firepower penetrated the attacking ship. Although the ship did have the
element of surprise and the wind on their side we later learn about the
strengths of this French ship, Acheron. Instead of cutting their loses and
returning to London, Lucky Jack decides to pursue this frigate even though they
are out gunned two to one. As mentioned earlier there is only so much fighting
you can endure on the open sea before the damage sinks you, so the remaining
time is filled with developing the relationship between Jack and the ship’s
doctor, Stephen Maturin (Paul Bettany, A
Knight’s Tale). The doctor is a civilian and a longtime friend of Jack.
The rest of the crew’s characters are not developed, as the distinction
between rank is clearly identifiable. But the elements of Coolridge’s poem are
developed through the crew with the theory of a curse and how the curse gets
broken. The Albatross makes an appearance and disaster unfolds. Then there is
the issue of the crew believing the French ship to be a phantom or evil force,
so the name Acheron is not an accident by the screenwriters. Greek Mythology
names the river of Hell, Acheron. Even
though there were some slow periods, the action did move quickly and with a
level of believability. It was very refreshing that a stupid love story was not
forced into the story and it was all about the ship and the art of war. Also
appearing in this Peter Weir film were James D’Arcy, Edward Woodall, Chris
Larkin, Max Pirkis, Jack Randall, Max Benitz, Lee Ingleby, and Richard McCabe (Notting
Hill). Crowe was fantastically convincing as an old ship captain. No sex, no
nudity, no skin, and no cute butts still made for an entertaining movie. I gave
Master and Commander: The Far Side of the World a nine on the About-Movies.com
scale.
Last updated: Thursday, March 20, 2008 02:46:03 AM |